Five artists from the Georgia cities of Savannah, Augusta, Kennesaw, Athens and St. Simons have launched projects that explore Georgia’s coastal culture and natural resources through UGA Marine Extension and Georgia Sea Grant’s Artists, Writers, and Scholars program.
This program supports Georgia artists in creating professional-quality art and literature that raises awareness of the state’s marine environments, deepens understanding of its coastal communities and documents the history, culture, and heritage of Georgia’s coast.
This marks the fourth year of the program, which has supported 14 projects, 10 of which were featured earlier this year in the “Waves of Wonder” exhibition at the Ships of the Sea Maritime Museum in Savannah.
“The impact of this program has been remarkable, reaching a wide range of audiences and growing every year,” said Mona Behl, associate director of Georgia Sea Grant. “The projects have not only brought greater visibility to Georgia’s coastal ecosystems and cultural heritage but also created meaningful connections between art and science. We are excited to continue supporting artists who can inspire even more awareness and appreciation for our coastal resources.”
This year’s projects will use a variety of art forms—including photography, film, mixed media, non-traditional techniques, and illustration—to highlight cultural connections to native plants, the challenges facing maritime forests, the history of coastal management protection, and the ecological role of oysters.
The 2024 grant recipients include:
Teake Zuidema, who has worked as a freelance photographer and journalist for the last 30 years, covering travel, technology, science and culture for magazines, newspapers and websites in the U.S. and Europe. In 2021, he moved to Savannah. Impressed by the beautiful coastal landscapes, he began to develop himself as a landscape photographer. From the start, he focused on trees at locations where the maritime forest is under stress because of the proximity of the sea, the beach, the marshes or civilization.
Photograph by Teake Zuidema taken at Skidaway Island State Park.
His project, “Living on the Edge, Trees along the Georgia Coast,” will focus on trees that are dead, dying or under severe stress due to factors like erosion, saltwater intrusion, infrastructure build up, storms, pollution, dredging and sea level rise. The images are meant to evoke wonder, concerns and questions, leaving viewers with a strong impression of the fragility of the marine forests and the coast in general. The project will result in an exhibition in September 2025 at the main gallery of Arts Southeast in Savannah.
Sam Ghioto
Sam Ghioto, a St. Simons Island native, owns Sam Ghioto Studio, a photography and videography business. He earned a bachelor’s degree in psychology from the College of Coastal Georgia and began his business during his final semester. His love for Georgia’s coastal landscapes and passion for visual storytelling have shaped his career, with a focus on showcasing the natural beauty and culture of the region. His collaborator, Andrew Bellacomo is a writer and director originally from Albany, Georgia, now based in Athens. With over 10 years of experience in video production, he has a deep connection to Georgia’s coastal landscape, having spent much of his life visiting the region with his family. His favorite projects often focus on environmental and historical themes, reflecting his personal passion for storytelling and his love of Georgia’s natural beauty and heritage.
Andrew Bellacomo
Ghioto and Ballacomo’s project, “A Thousand Rivulets Run,” is a documentary film that explores the conservation of Georgia’s salt marshes, inspired by the Coastal Marshlands Protection Act. Through poetic and visually compelling imagery, the film traces the history of how Georgia’s marshes were saved from destruction in the 1970s and continues to examine current efforts to protect them. The documentary highlights the ecological, economic, and cultural importance of these marshes, from providing nutrients for seafood and protecting against storms to supporting the livelihoods of local residents. Ghioto and Bellacomo want to engage viewers with the unique beauty and significance of this ecosystem, hoping to inspire broader appreciation and conservation efforts.
Mya Timmons speaking on a panel.
Mya Timmons, is from Townsend, Georgia. She is a freelance illustrator specializing in character design and a secretary for her family’s fourth-generation seafood business, Harris Neck Seafood. Timmons is a descendant of the Harris Neck Gullah Geechee community. In 2022, she created “The Gullah Geechee Plant Guide Coloring Book” as part of Elizabeth King’s Sea Grant-funded project, which focuses on conserving culturally significant plants in Georgia’s coastal ecosystems. Through her work on this project, she discovered a deep connection to her Gullah Geechee heritage, which now inspires much of her artistic work.
Timmon’s project, “Gullah Geechee Plants & Culture Personified: Illustrations of the Past for the Future,” will involve creating a new coloring book with illustrated characters designed to educate others on the Gullah Geechee’s cultural ties to water-life. It will feature facts about Georgia’s coastal ecosystems as well as Gullah Geechee-rooted stories and beliefs. She hopes to deepen appreciation for Gullah Geechee culture while inspiring others to use their artistic talents to educate and celebrate their own heritage.
“Wild Georgia Oyster”, painting by Droppleman.
Beth Droppleman is a painter and sculptor living in Augusta. Formerly a French professor, she is currently a student of fine arts at Augusta University. Her debut as an artist was many years ago in Paris, as a student, where she sold paintings on the Pont des arts. After being drawn to their unique weathered and worn beauty, Droppleman began making oyster shell portraits in 2016.
Piece by Beth Droppleman titled, “Oyster Armor”.
Droppleman’s project, “The Mighty Oyster,” features seven large oyster portraits, an oyster armor sculpture, and oyster ceramics that highlight the oyster’s critical role as a keystone species in Georgia’s salt marshes. Using mixed media and non-traditional techniques, her artwork mimics the natural growth and formation of oyster shells, drawing parallels to the ecology of the coast. The oyster armor, crafted from castaway shells and designed like medieval scale armor, emphasizes the individuality of each oyster while underscoring their collective strength—symbolizing the power of community and interconnectedness. The project is designed to evoke a sense of awe and appreciation for both the beauty and cultural significance of oysters, encouraging viewers to support the conservation of Georgia’s coastal ecosystems while fostering a deeper understanding of social justice and the importance of community.